Annie Gill: Press

Kate Pinkerton, Madama Butterfly (Baltimore Opera Theatre)

"Annie Gill sang Kate Pinkerton's few lines ably."

Phyllis, Iolanthe (Washington Savoyards)

"All of the cast principles sing well, although Annie Gill’s performance as Phyllis is particularly memorable. Her enunciation is flawless and her vocals soar, especially in her duets with Strephon (”Good Morrow, Good Lover” and “None Shall Part Us from Each Other”). "

Phyllis, Iolanthe (Washington Savoyards)

"Annie Gill as Phyllis sang well and grew into [her] comic timing as the evening went on."

Phyllis, Iolanthe (Washington Savoyards)

"Thanks to tremendous talent, the Savoyards have put on another spectacular production. From the start of the overture the music was amazing. How nice to hear a FULL orchestra and trained LOCAL singers on a DC stage! Though there are many great performances, the stand-outs are Annie Gill, who would blow the roof off the joint if they let her, and a very impressive Jase Parker."

First Lady, The Magic Flute (Opera AACC)

"As the Three Ladies who save Prince Tamino from the serpent, Annie Gill, Nicole Bowers and Diana Cantrelle create vocal harmony and delightful comedy."

"This was another free student recital in the course of the performers' studies at the Peabody, yet it was another example of the rare hothouse flowers that can show up in the conservatory environment... If I could single out a favorite, Annie Gill's rendition of Antonida's Romance from "A Life for the Tsar" was a most memorable part of the evening. Her selection of the Barcarolle from an even rarer Glinka work, "A Farewell to St. Petersburg," is illustrative of the kinds of treasures offered in this program." - from the concert "Treasures of Russian Opera."

"A powerful, compelling, thrilling sound."

"[Ms. Gill has] a lovely, warm resonant quality. Beautiful and expressive singing. [She is] very musical and captivating to watch as she performs."

"A glorious voice - opulent from top to bottom," - C. Andrews